111 Royalty-Free Audio Tracks for "Perfect Fifths"

Melodic perfect fifth descending.

Melodic perfect fifth ascending.

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

Just perfect fifth on G = D. 3:2 × 3:2 = 1403.91 (203.91) cents. Midi pitch bend on 80,64 for 701.953125 cents and 32,65 for 1403.910002 cents.

*Quarter-comma meantone perfect fifth on C. 3:2÷(81:80)1/4 = 696.58 cents.

*41-TET perfect fifth on C = G?. Equal-tempered: 224/41:1 = 702.44 cents. MIDI pitch bend: 100,64

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

Sound of steel chisel 5th (fifth)

Tritave dyad (interval)

*53-TET perfect fifth on C = G?. Equal-tempered: 231/53:1 = 701.89 cents. MIDI pitch bend: 77,64

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

*29-TET perfect fifth on C = G?. Equal-tempered: 217/29:1 = 703.45 cents. MIDI pitch bend: 13,65

*Bohlen-Pierce fifth on C. 75:49 = 736.93 cents. Limit: 7-limit. MIDI pitch bend: 105,75

*Hundred-ninety-fifth harmonic on C = G. Just: 195:128 = 728.80 cents. Limit: 13-limit. MIDI pitch bend: 27,73

*Septimal meantone perfect fifth on C. = 696.88 cents.

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

Twinkle, Twinkle, Little Star melody double in unison by clarinet and pizz. violin.

interval unison melodic

MIDI: Beta scale perfect fourth on C. (3 : 2)8/11 : 1 = 510.51 cents. MIDI pitch bend: 46,67

*Schismatic temperament perfect fourth on C. 10/11/8 = 498.29 cents.

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 1/8: 3600 cents.

Eighth octave on C. 16/1: 4800 cents.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. MIDI pitch bend: 0,64 Bohlen-Pierce scale: interval between C and C, unison.

Octave on C. 16/1: 4800 cents.

Octave on C. 1/4: 2400 cents.

Octave on C. 8/1: 3600 cents.

Parallel fifths from German sixth resolution in Mozart - Symphony K.453.

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

Octave on C. 1/2: 1200 cents.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Perfect octave on D-sharp, as MIDI.

Just augmented fifth in just C scale: E♭ and B.

A glissando upwards from middle C to the C an octave above.

Octave on C. 64/1: 7200 cents.

Octave on C. 16/1: 4800 cents.

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

Passage gegen Ende des Nocturne op.37,2: Harmonscher Schnelldurchlauf des Quintenzirkels

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Typical example of horn fifths from the finale of Beethoven's 9th Symphony